This year has brought a series of quiet but important shifts. 
The launch of a new website, a new collection on the horizon, and—most importantly—the opening of a new atelier.

When I first began making jewelry, I worked with large machines recovered from my family’s factory. They were built for heavy industrial work, entirely out of scale for the pieces I wanted to create. Yet they left a strong imprint on my early aesthetic — rough, irregular, marked by tools that were never meant for jewelry.

Over time, the desire to refine grew stronger. I wanted more precision, a chance to experiment with different techniques, and the freedom to let each piece evolve at its own pace. That meant moving away from borrowed equipment and into a studio designed for this craft. The Swiss Design Award back in 2023 gave me the chance to invest in dedicated jewelry tools, and slowly build this studio.

Having a space so close to home has changed the rhythm of my work. No longer the long commutes between Lugano and Lausanne, but instead a daily continuity that lets ideas move more fluidly into production. Some pieces are still made in Ticino, carrying forward that part of my story, while others now come to life here. Together they form a dialogue between tradition and new ground.

The atelier is a place of making, but also of questions.
Of experiments, mistakes, and discoveries that shape the pieces as much as the tools do.
This space will hold traces of that — process and practice, but also the thoughts and fragments that surround them.

My path began in fashion, where jewelry was at first only an accessory, something to complete a look. But as I learned more about the craft itself, the many ways metal can be shaped and transformed, jewelry became the center. This studio is a continuation of that shift — a space that reflects where SHERYLIN is today, and the direction it is growing toward.